Home
Profile & Contact
  • Current & Archived Work
  • Chlorophyll Print, 2023
  • Crush, 2022
  • Pylon, Ongoing
  • Empty Vessels, 2018
  • Ou- Topos, 2017
  • Light & Focus, 2017
  • Fluorescent Arrangement, 2017
  • Northern Lights, 2016
  • Underpass, 2016
  • Abandoned Machines, 2016
  • Durham Miners Gala, 2015
  • Found Slides, 2014
  • 35mm
  • Untitled, Undated
  • Heaton, 2010
  • Light, 2010
  • Port of Tyne Awards, 2009. Environment Category. 
  • 2009
  • Tyne Bridge, 2009
  • Frame, 2009
  • Zaman, 2009
  • Selected Exhibitions
  • Bandstand Revisited, 2022
  • You Kept Me Vaguely Sane, 2018
  • Strange Pursuit, 2018
  • In Games We Create Worlds, 2017
  • An Absent Presence, 2017
  • Slowing Into Form, 2017
  • Bandstand, 2015
  • High-Rise, 2012
  • Northern Lights, 2010
Rob Bowman
Home
Profile & Contact
  • Current & Archived Work
  • Chlorophyll Print, 2023
  • Crush, 2022
  • Pylon, Ongoing
  • Empty Vessels, 2018
  • Ou- Topos, 2017
  • Light & Focus, 2017
  • Fluorescent Arrangement, 2017
  • Northern Lights, 2016
  • Underpass, 2016
  • Abandoned Machines, 2016
  • Durham Miners Gala, 2015
  • Found Slides, 2014
  • 35mm
  • Untitled, Undated
  • Heaton, 2010
  • Light, 2010
  • Port of Tyne Awards, 2009. Environment Category. 
  • 2009
  • Tyne Bridge, 2009
  • Frame, 2009
  • Zaman, 2009
  • Selected Exhibitions
  • Bandstand Revisited, 2022
  • You Kept Me Vaguely Sane, 2018
  • Strange Pursuit, 2018
  • In Games We Create Worlds, 2017
  • An Absent Presence, 2017
  • Slowing Into Form, 2017
  • Bandstand, 2015
  • High-Rise, 2012
  • Northern Lights, 2010

Untitled, Undated

I have recollections of these images being shot on a simple point and shoot camera and printed on cartridge paper. The digital files no longer exist and neither do the original prints. The scans have shown the blemishes, scratches from storage and handling of an inkjet print on cartridge paper. A found image can be an interesting factor in this

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