Profile
  • Research & Practice
  • Half Mast, 2025
  • Generative Landscape, 2024
  • Chlorophyll Print, 2023
  • Crush, 2022
  • Pylon, Ongoing
  • Empty Vessels, 2018
  • Ou- Topos, 2017
  • Light & Focus, 2017
  • Fluorescent Arrangement, 2017
  • Northern Lights, 2016
  • Underpass, 2016
  • Durham Miners Gala, 2015
  • Port of Tyne Awards, 2009. Environment Category. 
  • Selected Exhibitions
  • Centring & Clay Connections, 2025
  • Bandstand Revisited, 2022
  • You Kept Me Vaguely Sane, 2018
  • Strange Pursuit, 2018
  • In Games We Create Worlds, 2017
  • An Absent Presence, 2017
  • Slowing Into Form, 2017
  • Bandstand, 2015
  • High-Rise, 2012
  • Northern Lights, 2010
Rob Bowman
Profile
  • Research & Practice
  • Half Mast, 2025
  • Generative Landscape, 2024
  • Chlorophyll Print, 2023
  • Crush, 2022
  • Pylon, Ongoing
  • Empty Vessels, 2018
  • Ou- Topos, 2017
  • Light & Focus, 2017
  • Fluorescent Arrangement, 2017
  • Northern Lights, 2016
  • Underpass, 2016
  • Durham Miners Gala, 2015
  • Port of Tyne Awards, 2009. Environment Category. 
  • Selected Exhibitions
  • Centring & Clay Connections, 2025
  • Bandstand Revisited, 2022
  • You Kept Me Vaguely Sane, 2018
  • Strange Pursuit, 2018
  • In Games We Create Worlds, 2017
  • An Absent Presence, 2017
  • Slowing Into Form, 2017
  • Bandstand, 2015
  • High-Rise, 2012
  • Northern Lights, 2010

Slowing Into Form, 2017

Vane Gallery, Newcastle upon Tyne.

Non-Place installation explored the limitations of space and technology in a gallery space. The camcorder struggled to focus on the tube light causing the live feed on the display in the other space to pulsate. The technology is struggling to automatically make a decision where its focus lies.   
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