Profile
  • Research & Practice
  • Half Mast, 2025
  • Generative Landscape, 2024
  • Chlorophyll Print, 2023
  • Crush, 2022
  • Pylon, Ongoing
  • Empty Vessels, 2018
  • Ou- Topos, 2017
  • Light & Focus, 2017
  • Fluorescent Arrangement, 2017
  • Northern Lights, 2016
  • Underpass, 2016
  • Durham Miners Gala, 2015
  • Port of Tyne Awards, 2009. Environment Category. 
  • Selected Exhibitions
  • Centring & Clay Connections, 2025
  • Bandstand Revisited, 2022
  • You Kept Me Vaguely Sane, 2018
  • Strange Pursuit, 2018
  • In Games We Create Worlds, 2017
  • An Absent Presence, 2017
  • Slowing Into Form, 2017
  • Bandstand, 2015
  • High-Rise, 2012
  • Northern Lights, 2010
Rob Bowman
Profile
  • Research & Practice
  • Half Mast, 2025
  • Generative Landscape, 2024
  • Chlorophyll Print, 2023
  • Crush, 2022
  • Pylon, Ongoing
  • Empty Vessels, 2018
  • Ou- Topos, 2017
  • Light & Focus, 2017
  • Fluorescent Arrangement, 2017
  • Northern Lights, 2016
  • Underpass, 2016
  • Durham Miners Gala, 2015
  • Port of Tyne Awards, 2009. Environment Category. 
  • Selected Exhibitions
  • Centring & Clay Connections, 2025
  • Bandstand Revisited, 2022
  • You Kept Me Vaguely Sane, 2018
  • Strange Pursuit, 2018
  • In Games We Create Worlds, 2017
  • An Absent Presence, 2017
  • Slowing Into Form, 2017
  • Bandstand, 2015
  • High-Rise, 2012
  • Northern Lights, 2010

Half Mast, 2025

Preliminary photographic images captured for a larger photo essay documenting the 'operation raise the colours' campaign and the symbology it represents in Northumberland Towns and Villages.

Exploring the impotency and impulsivity of celebrating symbols but not working to fix broken systems. 



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